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The Special AKA - In the Studio [2CD Special Edition] (2015)

Rock, Ska, Reggae | Author: artmuss | 6-04-2015, 19:37
The Special AKA - In the Studio [2CD Special Edition] (2015)
Artist: The Special AKA
Title Of Album: In the Studio
Year Of Release: 2015 [1984]
Label (Catalog#): 2 Tone Records [CHR TTR 5008]
Country: UK
Genre: Ska, 2 Tone, New Wave, Reggae, Rocksteady
Quality: FLAC (tracks +.cue,log)
Bitrate: Lossless
Time: 1:40:38
Full Size: 674 mb
WebSite: Album Preview

Three years and a reputed ?500,000 pounds in the making, and what was the result? For starters, an album that just scraped into the U.K. Top 35 and a set that rounded up three out of the four Special A.K.A. singles: "War Crimes," the double A-sided "Racist Friend"/ "Bright Lights," and "Nelson Mandela," as well as the latter's 12" B-side, "Break Down the Door," and a set that spun off the group's final release, "What I Like Most About You Is Your Girlfriend." Thus, half the album had already spun at 45, poor value for the money. However, at a time when Wham!, Frankie Goes to Hollywood, and Duran Duran reigned supreme, In the Studio was offering something distinctly different, which explains its popularity. This was Jerry Dammers' baby, and the birthing had been decidedly difficult. And it's no wonder considering just how far Dammers had taken his music, light years from the Specials' roots and miles even from the group's more diverse More Specials finale. "Housebound," for example, is absolutely claustrophobic, the rhythm disconcerting and the melody moving into no wave territory. "The Lonely Crowd" is even more dislocating, with the club-meets-funk rhythm crashing into the no wave jazz atmosphere, while the purer club strains of "Nite on the Tiles" are equally disturbing, with its odd blend of genres. Even the more accessible numbers have bite and exceedingly sharp edges, from the frustration that fills the soul-styled "Break Down" to the derision that floods the lyrics of "Bright Lights" and on to the cutting theme of the dreamy, roots-flavored "Girlfriend." Dammers' world view was growing ever darker, and his lyrics reflect this polarization. Where once there was thoughtful reasoning laced with sarcasm, here the coddling is gone, and even the irony is heavy-handed. Proof is found in the uncompromising "Racist Friend," where Dammers insists one should sever such relationships rather than attempt to alter such opinions. The evocative, Arab-esque "War Crimes" is even more militant. Israel's invasion of Lebanon, in much of the world's opinion, certainly qualified as a war crime, but many felt that Dammers overstepped the mark by comparing it to Nazi death camps. Only the warm melody and gentle delivery prevent the song from being dismissed as an outright polemic. But the 2-Toner now saw the world only in black and white, searingly condemning everything around him. Which is why "Mandela" comes as such a shock smack-dab in the middle of the set. Its glorious melody, jubilant atmosphere, and exuberant optimism are the only bright moments on the entire album, a single song of hope which crumbles to dust by sequencing it just before the horrors of "War Crimes." That, like everything else on this album, was deliberate, and underscored the total desolation that Dammers saw all around him. It's an ugly vision, but the world is very much like that.


CD 1
01] Bright Lights
02] The Lonely Crowd
03] What I Like Most About You is Your Girlfriend
04] Housebound
05] Nite On The Tiles
06] Nelson Mandela
07] War Crimes
08] Racist Friend
09] Alcohol
10] Break Down the Door

CD 2
01] The Boiler (Rhoda And The Special AKA)
02] You Just Can't Get A Break
03] Jungle Music (Rico And The Special AKA)
04] Lonely Crowd (Peel Session 12/9/83)
05] Alcohol (Peel Session 12/9/83)
06] Bright Lights (Peel Session 12/9/83)
07] Break Down The Door (Instrumental)
08] Racist Friend (Instrumental)
09] War Crimes (Instrumental)
10] Theme From The Boiler (Instrumental)
11] Bright Lights (Instrumental)
12] Nelson Mandela (Instrumental)

Caron Wheeler - Backing Vocals
Stan Campbell - Male Vocals
Rhoda Dakar - Female Vocals
John Shipley - lead guitar
Jerry Dammers - organ, piano, Vocals
Gary McManus - bass guitar
John Bradbury - drums
Claudia Fontaine - Backing Vocals
Dick Cuthell - flugelhorn
Nigel Reeve - saxophone

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