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Wingfield Reuter Stavi Sirkis - The Stone House (2017) [HDtracks]

HD Tracks & Vinyl, Rock, Jazz | Author: jonson | 20-01-2017, 20:01
Wingfield Reuter Stavi Sirkis - The Stone House (2017) [HDtracks]Artist: Wingfield Reuter Stavi Sirkis
Title Of Album: The Stone House
Year Of Release: 2017
Label (Catalog#): MoonJune Records
Country: US
Genre: Jazz-Rock, Fusion, Progressive
Quality: FLAC (tracks) 24 bits/88,2 kHz
Bitrate: Lossless
Time: 59:53
Full Size: 1.18 GB
WebSite: Album Preview


1. Rush
2. Four Moons
3. Silver
4. Fjords de Catalunya
5. Tarasque
6. Bona Nit Senor Rovira

Occasionally, records are released which are an instant game changer: albums so profoundly innovative and compelling in their conception, construction and delivery that they are immediately essential. "The Stone House Sessions" is just such a release. And it was recorded live in the studio with no overdubs and completely improvised, with no music written down or rehearsed
The album features two of today's most original, ingenious and decidedly "risk taking" electric guitar proponents, easily among the instrument's most vital new voices: the UK's Mark Wingfield (Jane Chapman; solo artist, and; one half of the long-running guitar duo, with acoustic maestro, Kevin Kastning), and Germany's Markus Reuter (Stick Men; The Crimson ProjeKct; Centrozoon). Each, in their own unique way, has been stretching the bounds of the tonal and texutral limitations of the instrument, and, in the process, has respectively developed their own individual techniques, stylistic approaches and idiosyncratic vocabularies.
Accompanied by the sure-footed foundational tandem of the Israeli-born UK transplants, bassist Yaron Stavi (David Gilmour, Phil Manzanera, Robert Wyatt, Richard Galliano) and drummer Asaf Sirkis (Tim Garland, Mark Wingfield, Nicolas Meier) - a familiar pair, who by all appearances are more than capable of making most anything groove infectiously, and in perfect cadence - the album incorporates many of the elements which have drawn listeners to progressive music for decades. Not only is the album often a canvas hosting a grand experiment in spontaneous group interaction, but it is also an exploration into the tonal and textural possibilities of all the instruments involved. The resulting picture which takes shape is one where the whole is much greater than the sum of its profound parts, and emotion, above all, emerges victorious.



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