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Christophe Coin, Les Chantres de la Chapelle & Ensemble Baroque de Limoges - Mondonville: Grand Motets (1997)

Classic | Author: SELMER | 16-11-2017, 06:25
Christophe Coin, Les Chantres de la Chapelle & Ensemble Baroque de Limoges - Mondonville: Grand Motets (1997)
Artist: Christophe Coin, Les Chantres de la Chapelle & Ensemble Baroque de Limoges
Title Of Album: Mondonville: Grand Motets
Year Of Release: 1997
Label: Astree Auvidis
Country: France
Genre: Classical
Quality: APE (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 59:09 min
Full Size: 271 MB






Tracklist:

Psalm 18 "Coeli Enarrant," grand motet
01. Coeli enarrant gloriam Dei (Chorus) 2:33
02. Non sunt loquelae (Soprano) 2:48
03. In omnem terram (Chorus) 3:01
04. In sole posuit (Baritone) 2:31
05. Exultavit ut gigas (Baritone, Chorus) 2:33
06. Gloria patri (Chorus) 1:03
07. Sicut erat in principio (Alto, Chorus) 3:45

Psalm 94 "Venite Exultemus," grand motet
08. Venite exultemus (Soprano, Chorus) 3:46
09. Quoniam Deus (Baritone) 1:06
10. Quoniam ipsius est mare (Baritone) 2:26
11. Venite, adoremus (Soprano) 3:02
12. Quia ipse est Dominus (Soprano) 0:56
13. Hodie si vocem (Soprano, Chorus) 2:19
14. Sicut in exacerbatione (Tenor) 3:03
15. Quadraginta annis (Tenor) 2:23
16. Gloria Patri (Chorus) 5:08

Psalm 99 "Jubilate Deo," grand motet
17. Jubilate Deo omnis terra (Baritone, Chorus) 4:05
18. Introite in conspectu ejus (Soprano, Baritone) 2:20
19. Scitote quoniam Dominus (Soprano) 1:16
20. Populus ejus (Soprano, Chorus) 2:15
21. Laudate nomen ejus (Soprano) 2:49
22. Gloria Patri (Chorus) 3:55

Perhaps the leading post-Harnoncourt cellist in the early music movement, Christophe Coin has developed a particular interest in music of late eighteenth century Vienna. He began studying the cello as a child in Caen, then enrolled in the Paris Conservatory, where his principal teacher was Andre Navarra. After taking first prize in a conservatory competition, Coin moved to Vienna where, at the Academy for Music, he became a disciple of Nikolaus Harnoncourt and performed in the latter's Concentus Musicus. Coin also studied with gamba guru Jordi Savall at the Schola Cantorum in Basle. Through Savall, he was able to perform with the ensemble Hesperion XX.

Coin joined England's Academy of Ancient Music, with which he made several recordings as an orchestra member and as a soloist. In 1984 he founded his own chamber orchestra, Ensemble Mosaiques, but dissolved it the following year. He did salvage the name, at least, when he recruited leaders of its string section to join him in forming the Quatuor Mosaiques, a group mainly dedicated to the music of Mozart and Haydn, but also moving forward into scores by Beethoven and Schubert. In 1991 he was also named music director of the Limoges Baroque Ensemble. His academic appointments include a post at the Schola Cantorum in Basle, and heading studies in Baroque cello and viola da gamba at the Conservatoire National Superieur in Paris. Although his performing career has been centered in Europe, Coin has become known to North American audiences through his recordings. Among his more CD projects are highly regarded recordings of Classical-era quartets, and a series of discs devoted to Bach cantatas featuring the violoncello piccolo. -- James Reel



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