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Marie van Rhijn - Marin Marais: Dans les Jardins d'Eurytus (2016)

Classic | Author: SELMER | 11-01-2018, 18:19
Marie van Rhijn - Marin Marais: Dans les Jardins d'Eurytus (2016)
Artist: Marie van Rhijn
Title Of Album: Marin Marais: Dans les Jardins d'Eurytus
Year Of Release: 2016
Label: Evidence Classics
Country: France
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 01:10:23
Full Size: 465 MB


01. Ouverture
02. Air De Trompette
03. Marche Pour Les Habitants Des Climats Heureux
04. Air
05. Air Pour Les Bergers
06. Passepied
07. Musette - Marche Pour Les P?tres
08. Rigaudon
09. Air Pour Les Peuples D'aecalie
10. Sarabande Pour Deux Hommes
11. Courante
12. Rondeau Redoubl?
13. Air Pour Les Nymphes Et Les Z?phyrs
14. Caprice
15. Air De M. Marais
16. Menuet
17. Air Pour Les Enchanteresses De Thessalie
18. Sarabande De Marais
19. Air: Doucement
20. Air Gai
21. Air
22. Air Pour Les Ministres Et Les Pr?tres
23. Menuet
24. Rondeau (Gavotte)
25. Final
26. La Polonaise
27. 1. Pr?lude
28. 2. Petite Fantaisie
29. 3. Allemande
30. 4. Courante De Marin Marais
31. 5. Sarabande 1 - Sarabande 2
32. 6. Gigue
33. 7. Tombeau Pour M. Lully

Marie van Rhijn's 2016 album on the Evidence label is a collection of brilliant harpsichord pieces arranged from the trag?die en musique, Alcide, a collaboration by Marin Marais and Louis Lully, son of the composer Jean-Baptiste Lully. Marais was most famous as a composer of viol music, which became enormously popular in the court of Louis XIV, though he is not known to have composed any works for the harpsichord, so these keyboard transcriptions of his operatic music might be a bit unexpected. Consisting of airs and dances, such as the courante, the sarabande, the menuet, and the passepied, most of the pieces here consist of two lines with elaborate ornamentation and are quite suitable to the keyboard. Van Rhijn is a virtuoso of the harpsichord, as well as an authority on vocal music of the French Baroque, so her lively performances convey something of the drama and florid lyricism of the original work, infused with a personal flair that makes her playing fascinating. In addition to the pieces from Alcide, van Rhijn also plays harpsichord adaptations of the Suite in B minor for viol da gamba, including the "Tombeau pour Monsieur de Lully," which rounds out the program with more familiar music by Marais. Highly recommended. -- Blair Sanderson

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