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Emil Jonason - Lindberg: The Erratic Dreams of Mr Gronstedt - Golijov: The Dreams & Prayers of Isaac the Blind (2017)

Classic | Author: SELMER | 26-02-2018, 04:53
Emil Jonason - Lindberg: The Erratic Dreams of Mr Gronstedt - Golijov: The Dreams & Prayers of Isaac the Blind (2017)
Artist: Emil Jonason
Title Of Album: Lindberg: The Erratic Dreams of Mr Gronstedt - Golijov: The Dreams & Prayers of Isaac the Blind
Year Of Release: 2017
Label: BIS Records
Country: Sweden
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 59:53 min
Full Size: 253 MB





Tracklist:

Christian Lindberg (b. 1958)
01 - 06] The Erratic Dreams of Mr Gronstedt (Herr Gronstedts Underliga Drommar) Clarinet Concerto

Osvaldo Golijov (b. 1960)
07 - 11] The Dreams and Prayers of Isaac the Blind for klezmer clarinet and string quartet

Selected by ECHO (the European Concert Hall Organisation) as one of its Rising Stars of the 2009/10 season, the Swedish clarinettist Emil Jonason has become increasingly visible on the international music scene. For his first disc on the BIS label he has chosen to record a concerto written for him by his compatriot Christian Lindberg, composer, conductor and legendary trombonist. As Lindberg remarks in his own note on the work, the soloist was involved at all stages of the compositional process. But the Erratic Dreams are the composers own as is the figure of Mr Gronstedt, the main character of those dreams, and of the six movements that make up the colourful score. In his teens, Emil Jonason was attracted by klezmer music, and played in various klezmer bands. It was therefore a natural choice to combine Lindbergs concerto with the Argentinian composer Osvaldo Golijovs work The Dreams and Prayers of Isaac the Blind. In contrast to Lindberg, Golijov found inspiration in a historic figure, the medieval rabbi Isaac the Blind, and his lifelong dedication to the ideas of the Kabbalah. Golijov describes the movements of his work as being written in three of the different languages spoken by the Jewish people throughout its history: Aramaic, Yiddish (the rich and fragile language of a long exile) and Hebrew. The work includes references to Jewish prayers as well as to klezmer tunes and the clarinettist is specifically requested by the composer to acquaint himself with the idiom of klezmer music.



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