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Ton Koopman & Amsterdam Baroque Orchestra - Buxtehude: Opera Omnia XIV - Vocal Works, Vol. 5 (2011)

Classic | Author: SELMER | 13-03-2018, 09:36
Ton Koopman & Amsterdam Baroque Orchestra - Buxtehude: Opera Omnia XIV - Vocal Works, Vol. 5 (2011)
Artist: Ton Koopman & Amsterdam Baroque Orchestra
Title Of Album: Buxtehude: Opera Omnia XIV - Vocal Works, Vol. 5
Year Of Release: 2011
Label: Challenge Classics
Country: Netherlands
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 01:11:16
Full Size: 361 MB


1. Je hoher du bist BuxWV 55 [14:44]
2. Herr, wenn ich nur dich habe (II) BuxWV 39 [10:14]
3. lch bin die Auferstehung und das Leben BuxWV 44 [5:43]
4. Herr, wenn ich nur dich hab (I) BuxWV 38 [3:13]
5. Bedenke Mensch das Ende BuxWV 9 [10:42]
6. lch bin eine Blume zu Saran BuxWV 45 [10:06]
7. Jesu, komm, mein Trost und Lachen BuxWV 58 [8:06]
8. Jesu, dulcis memoria II - Ciacona - BuxWV 57 [8:31]

By his twenties, Antonius "Ton" Koopman was already carving a musical niche for himself in which he would rise to become one of the world's most prominent performers in the early music movement. Koopman was born in the Dutch town of Zwolle in 1944. After what he describes as a "classical education," he went to Amsterdam to study organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology. Koopman's musical interests from the outset centered upon the re-creation of older musics on their original instruments in a thoroughly researched historical performing style. He founded his first Baroque orchestra in 1966, followed by an exuberant career (40 years and counting) of mingled performance, conducting, and scholarship.

As a keyboardist, Ton Koopman has appeared on the most prestigious concert stages of five continents and has produced an extensive discography on Erato, Philips, Sony, Teldec, and other labels. He has concertized on many of the greatest historical organs throughout Europe. He plays harpsichord while leading the Amsterdam Baroque Orchestra & Choir (both of which he also founded), in addition to giving regular guest performances with professional orchestras throughout the world. He has taught harpsichord at the Sweelinck conservatory, serves as a professor of harpsichord at the Hague's Royal Conservatory, and is an honorary member of the Royal Academy of Music in London. Koopman's first international prizes -- a pair of Prix d'Excellence -- came for his performances on organ and harpsichord.

Koopman's work as a conductor of early music has garnered him a wealth of further awards, including two Edison Prizes, a 3M Prize, a Deutsche Schallplattenpreis, a French Grand Prix du Disque and Prix Hector Berlioz, Grammy nominations in both the U.S. and Britain, and the Silver Phonograph from the Dutch recording industry. Much of his recorded work has been with the period instrument ensemble the Amsterdam Baroque Orchestra, which he founded in 1979. Together, Koopman and the Amsterdam Baroque have produced scores of recordings; Biber, Charpentier, Handel, Mozart, Purcell, and Vivaldi have been featured, though Koopman is best known now for his massive projects with recording the music of J.S. Bach. Between 1994 and 2004 he conducted and recorded the entire corpus of Bach's cantatas; other projects have included the complete Bach organ works and Passions (including Koopman's own reconstruction of the lost Markuspassion). In 2003, he formed Antoine Marchand Records, his own label. That same year, he was also admitted into the Order of the Netherlands Lion. Koopman became artist-in-residence with the Cleveland Orchestra in 2011, while continuing to be a professor at the Royal Conservatory of The Hague.

Koopman maintains an incredibly active schedule as guest conductor, in addition to his publishing career.

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