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Ton Koopman - Dietrich Buxtehude: Opera Omnia XVII - Vocal Works, Vol. 7 (2013)

Classic | Author: SELMER | 15-03-2018, 07:56
Ton Koopman - Dietrich Buxtehude: Opera Omnia XVII - Vocal Works, Vol. 7 (2013)
Artist: Ton Koopman
Title Of Album: Dietrich Buxtehude: Opera Omnia XVII - Vocal Works, Vol. 7
Year Of Release: 2013
Label: Challenge Classics
Country: Netherlands
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 02:26:30
Full Size: 696 MB




Tracklist:

CD 1
1 An filius non est Dei BuxWV 6 11:50
2 All solch dein Gut' wir preisen BuxWV 3 02:57
3 Schwinget euch himmelan BuxWV 96 10:20
4 Laudate, pueri, Dominum BuxWV 69 04:55
5 Mit Fried und Freud - Klag-Lied BuxWV 76 09:55
6 O wie selig sind BuxWV 90 07:26
7 Du Frieden-Furst, Herr Jesu Christ BuxWV 21 09:08
8 Furwahr, er trug unsere Krankheit BuxWV 31 10:55
9 Herzlich tut mich verlangen BuxWV 42 08:35

CD 2
1 Nimm von uns, Herr BuxWV 78 12:58
2 Quemadmodum desiderat cervus BuxWV 92 05:28
3 Ich halte es dafur BuxWV 48 12:40
4 Ich sprach in meinem Herzen BuxWV 49 07:48
5 Jesu, meiner Freuden Meister BuxWV 61 02:43
6 War Gott nicht mit uns diese Zeit BuxWV 102 03:44
7 Dein edles Herz, der Liebe Thron BuxWV 14 13:35
8 Wenn ich, Herr Jesu, habe dich BuxWV 107 05:48
9 Domine salvum fac regem et exaudi nos BuxWV 18 05:45

Volume 17 of the Buxtehude Opera Omnia series.

Dieterich Buxtehude’s vocal compositions represent all major genres that were current in Lutheran church music of the later 17th century. They included in particular chorale settings, concertos on biblical texts, arias on contemporary sacred poetry, dialogues, and composite forms such as concertoaria cantatas. Preeminent among them were various kinds of settings based on traditional songs from the church hymnal, i.e., “chorales” in Lutheran terminology.

This Volume includes chorale settings ("All solch dein Gut' wir preisen", "Herzlich tut mich verlangen"), arias like "An filius non est Dei, fons gratiae salus mei", which constitue an important and characteristic part of his sacred music, Ciacconas ("Laudate, pueri, Dominum", "Quemadmodum desiderat cervus") Concertos, which were the most prominent type of vocal-instrumental church music in the 17th century, and Cantata.



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