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Ton Koopman & Amsterdam Baroque Orchestra - Dieterich Buxtehude: Opera Omnia XVIII - Vocal Works, Vol. 8 (2014)

Classic | Author: SELMER | 23-03-2018, 08:45
Ton Koopman & Amsterdam Baroque Orchestra - Dieterich Buxtehude: Opera Omnia XVIII - Vocal Works, Vol. 8 (2014)
Artist: Ton Koopman & Amsterdam Baroque Orchestra
Title Of Album: Dieterich Buxtehude: Opera Omnia XVIII - Vocal Works, Vol. 8
Year Of Release: 2014
Label: Challenge Classics
Country: Netherlands
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 02:14:53
Full Size: 666 MB





Tracklist:

CD 1
1 Wachet auf, ruft uns die Stimme, BuxWV 101 10:52
2 O clemens, o mitis, BuxWV 82 08:14
3 Gen Himmel zu dem Vater mein, BuxWV 32 07:32
4 Surrexit Christus hodie, BuxWV 99 05:51
5 Lauda anima mea Dominum, BuxWV 67 08:56
6 Mein Herz ist bereit, BuxWV 73 08:18
7 Singet dem Herrn ein neues Lied, BuxWV 98 08:06
8 Canon, BuxWV 121 01:10
9 Gigue, BuxWV 121 02:40

CD 2
1 Meine Seele, willtu ruhn, BuxWV 74 05:41
2 Herr, ich lasse dich nicht, BuxWV 36 09:30
3 Wachet auf, ruft uns die Stimme, BuxWV 100 11:12
4 O Gottes Stadt, o guldnes Licht, BuxWV 87 09:12
5 Wie soll ich dich empfangen, BuxWV 109 08:12
6 Sicut Moses exaltavit serpentem, BuxWV 97 06:14
7 Salve desiderium, salve clamor gentium, BuxWV 93 06:30
8 Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34 16:43

In the succession of Franz Tunder in Lubeck Buxtehude broadened the scope and format of vocal composition by adding sophisticated strophic arias, increasing the role of instrumental ensembles, refining instrumental textures of the vocal scores, and making multi- movement structures are more normative feature in sacred music.

His compositions are based on one side on Latin works, p.e. “O Clemens, o mitis”, the second part of his works are settings of Lutheran hymn texts, p.e. “Wachet auf, ruft uns die Stimme”. And on the other hand her made settings of pietist poems. The pietist movement became prominent in later 17th-century Lutheran Germany and several lyrical texts set by Buxtehude reflect this leaning toward reflective individual piety. “Meine Seele, willtu ruhn” (BuxWV 74) and “O Gottes Stadt, o guldnes Licht” (BuxWV 87) represent particularly prominent examples of sacred arias.

„ It has been an extraordinary experience to study and record so many works that have rarely if ever been performed. For example: Composed by Buxtehude for his ‘amico’ the Kappelmeister Gustav Duben in Stockholm, Membra Jesu Nostri (BuxWV 75) was little known around 1980. Now the work enjoys wide renown, appearing on many CD recordings. Singers, choirmasters and instrumentalists please take note: there is much more! Listen to this music and study and perform it. Buxtehude deserves it.“ Ton Koopman



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