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Claudio Maccari & Paolo Pugliese - Sor & Coste: Complete Works for Guitar Duo (2009)

Classic | Author: SELMER | 26-04-2018, 05:22
Claudio Maccari & Paolo Pugliese - Sor & Coste: Complete Works for Guitar Duo (2009)
Artist: Claudio Maccari & Paolo Pugliese
Title Of Album: Sor & Coste: Complete Works for Guitar Duo
Year Of Release: 2009
Label: Self Released
Country: Italy
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 02:23:15
Full Size: 527 MB






Tracklist:

CD 1
01. L'Encouragement Op.34 - 1. Cantabile
02. 2. Tema e variazioni
03. 3. Valse

04. Divertissement Op.38 - 1. Andante moderato
05. 2. Walse

06. Sor - Six Valses Op.39 - 1. Mohor
07. 2. Sor
08. 3. Mohor
09. 4. Steibelt
10. 5. Mozart
11. 6. Mohor

12. Les Deux Amis Op.41 - 1. Andante
13. 2. Tema e variazoni
14. 3. Mazurka

15. Six Valses Op.44 bis

16. Divertissement militaire Op.49 - 1. Andante / 2. Marche,Trio,Marche
17. 3. Allegretto

18. Le Premier Pas vers moi Op.53 - 1. Andantino
19. 2. Allegretto

20. Fantasie Op.54 bis - Andante allegro, Andantino
21. Allegro dans le genre Espanol

CD 2
01. Op.55 - Premier Duo - 1. Andante
02. Premier Duo - 2. Allegretto

03. Op.55 - Deuxieme Duo - 1. Andante
04. Deuxieme Duo - 2. Allegretto

05. Op.55 - Troisieme Duo - 1. Andante
06. Troisieme Duo - 2. Mouvement de valse

07. Op.61 - Premier Duo - 1.Andante
08. Premier Duo - 2. Allegretto
09. Deuxieme Duo - 1. Andante moderato / 2. Allegro moderato
10. Troisieme Duo - 1. Andante
11. Troisieme Duo - 2. Allegretto

12. Op.62 - 1. Andantino cantabile
13. 2. Mouvement de Polonaise

14. 1. Andante moderato
15. 2. Tema e variazioni
16. 3. Allegretto

17. Grand Duo - 1. Allegro
18. 2. Andante
19. 3. Barcarolle
20. 4. Finale - Allegro

21. Scherzo e Pastorale Op.10 - 1.Pastorale
22. Scherzo e Pastorale Op.10 - 2.Scherzo
23. Duetto

Fernando Sor (1778 - 1839) was, along with the Italian Mauro Giuliani, the greatest composer for the guitar at the turn of the 19th century, and his method remains one of the most remarkable publications on guitar technique. Unlike Giuliani, however, Sor wrote little for orchestra (with the exception of his revolutionary chorus Corone la victoria, written when he was in the army resisting the Napoleonic onslaught into Spain, and four ballets), preferring solo or duet genres to concertos. As a lifelong enthusiast of dance and song, many of his works are based on Catalan traditional themes, but he did turn to orchestral works by fashionable composers of the day including Mozart and Daniel Steibelt, arranging dances by them for guitar. The Op.39 set is an example of these transcriptions. Sor travelled widely throughout Europe, including spells in the UK and Russia, and accepted a post in the French administration (like many Spanish intellectuals) after the defeat of Spain. Napoleon Coste (1805–1883) was the son of a French soldier and in 1830 he studied with Sor in Paris where he established a name for himself adapting the newly published (in France) songs of Schubert for guitar and voice. As in the music of his teacher, the spirit of the dance is never far away in Costa’s music, as can be heard in the Scherzo and Pastorale Op.10. The Grand Duo, however, is a late work on a large scale, and is more complex, presenting considerable challenges to the players.



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