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Jordi Savall - M.A. Charpentier a la Chapelle Royale de Versailles (2014)

Classic | Author: SELMER | 10-05-2018, 07:17
Jordi Savall - M.A. Charpentier a la Chapelle Royale de Versailles (2014)
Artist: Jordi Savall
Title Of Album: M.A. Charpentier a la Chapelle Royale de Versailles
Year Of Release: 2014
Label: Alia Vox
Country: Spain
Genre: Classical
Quality: FLAC (*image + .cue, log, artwork)
Bitrate: Lossless
Time: 02:18:52
Full Size: 1.02 GB


CD 1
01. Canticum in honorem Beate Virginis Mariae inter homines et angelos (H.400)
02. Symphonie devant Regina (coeli): Prelude a 3 (H.509)
03. Pour la conception de la Vierge (H.313)
04. Nativite de la Vierge (H.309)
05. Prelude pour Salve Regina a 3 (H.23a)
06. Salve Regina a trois voix pareilles (H.23)
07. Pour la fete de l'Epiphanie (H.395)
08. Prelude pour le Magnificat a quatre voix (H.533)
09. (Magnificat) (H.80)
10. Stabat mater pour les religieuses (H.15)
11. Litanies de la Vierge a 6 voix et deux dessus de violes (H.83)

CD 2
01. Missa Assumpta Est Maria (H.11a) - Sinfonie devant le Kyrie 1
02. Kyrie 1
03. Sinfonie devant le Christe
04. Christe
05. Sinfonie devant le Kyrie 2
06. Kyrie 2
07. Gloria
08. Et in terra pax hominibus
09. Laudamus Te
10. Domine Deus, Rex caelestis
11. Qui tollis
12. Quoniam tu solus Sanctus
13. Credo in unum Deum
14. Patrem omnipotentem
15. Et in unum Dominum Jesum Christum Filium Dei
16. Et incarnatus
17. Crucifixus
18. Et resurexit
19. Et in spiritum sanctum Dominum
20. Confiteor unum Baptisma in remissionem peccatorum
21. Et vitam venturi saeculi. Amen
22. Sinfonie devant le Sanctus
23. Sanctus
24. Sinfonie derriere le Sanctus
25. Sinfonie devant l'Agnus
26. Agnus Dei
27. Sinfonie derriere l'Agnus
28. Domine Salvum fac regem (H.303)
29. Concert pour quatre parties de violes (H.545) - Prelude
30. Concert pour quatre parties de violes (H.545) - Allemande
31. Concert pour quatre parties de violes (H.545) - (Sarabande) Rondeau
32. Concert pour quatre parties de violes (H.545) - Gigue anglaise
33. Concert pour quatre parties de violes (H.545) - Gigue francaise
34. Concert pour quatre parties de violes (H.545) - Passecaille
35. Nuit (In nativitatem domini canticum - H.416)

Jordi Savall is among the leading instrumentalists and conductors of the European early music scene, specializing in Renaissance, Baroque, and Medieval music. He took an interest in early music, and began learning the viola da gamba. He studied the gamba and early music research and practice with Wieland Kuijken in Brussels and August Wenzinger at the Schola Cantorum Basiliensis in Basel.

In 1968, Savall married the soprano Montserrat Figueras, who shared his interest in early music. With Figueras and other musicians interested in early Spanish music, he founded the ensemble Hesperion XX in 1974. The ensemble took its name from an ancient name for the Western European region from Italy to Iberia. At the turn of the 21st century, the group changed its name to Hesperion XXI.

Savall and Hesperion XX quickly became well known in early music circles. They created a unique sound through the use of viols and other Medieval instruments such as the psaltery, wooden flutes, Moroccan drums, and the Afghan rebec (a double-reed ancestor of the oboe).

Savall became internationally known through his playing on the soundtrack of Alain Corneau's film Tous les Matins du Monde (All the Mornings of the World), concerning the French viol players of the Baroque era. He also founded La Capella Reial de Catalunya in 1987, an ensemble of instrumentalists and vocal soloists.

Savall has recorded well over 150 albums. In 1996, he introduced his own AliaVox label with a disc of Juan Cabanilles that has served as the platform for his recordings ever since. Savall has also taken advantage of his celebrity through traveling as a touring artist throughout the world with all three of his actively performing groups. His honors include an honorary doctorate from the University of Barcelona (2000) and multiple Grammy nominations, and in 2008 UNESCO recognized Savall and Figueras as "Artists for Peace."

Freed from the constraints of external-label finances, Savall's productivity, always high, has increased still further. He was featured on as many as nine albums a year in the early 2000s and has slowed only slightly since he entered his eighth decade of life in 2011. AliaVox, generously funded by Catalonian governmental and private sources, became known for sumptuous releases, with booklets hundreds of pages long in as many as six languages, describing not only the music being performed, but a deep cultural context as well.

La Sublime Porte: Voix d'Istanbul 1400-1800Savall has ventured beyond the realm of Western music on such releases as La Sublime Porte: Vox d'Istanbul, 1400-1800. Some of his recordings continue to explore specific Baroque and Renaissance repertories, but just as often, as on 2012's Jeanne d'Arc: Batailles & Prisons, he attempts to construct a musical background for historical personages and events, and to explore the connections among music, wider culture, and history. In 2017, Savall and La Capella Reial de Catalunya issued a recording devoted to the music of Heinrich Isaac in relation to the leading political figures of his time, Lorenzo de' Medici and the Austrian emperor Maximilian I. -- Rovi Staff

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