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Erich Leinsdorf - Giacomo Puccini: Madama Butterfly (2016) [Hi-Res]

Classic, HD Tracks & Vinyl | Author: SELMER | 4-06-2018, 08:19
Erich Leinsdorf - Giacomo Puccini: Madama Butterfly (2016) [Hi-Res]
Artist: Erich Leinsdorf
Title Of Album: Giacomo Puccini: Madama Butterfly (Remastered)
Year Of Release: 2016
Label: Sony Classical
Country: USA
Genre: Classical
Quality: FLAC (*tracks)
Bitrate: Lossless [96kHz/24bit]
Time: 02:09:07
Full Size: 2.59 GB






Tracklist:

01. Orchestra Opening
02. Act I - E soffitto e pareti
03. Act I - Dovunque al mondo lo Yankee
04. Act I - Amore o grillo
05. Act I - Ancora un passo or via (Butterfly's Entrance)
06. Act I - Gran ventura
07. Act I - L'Imperial Commissario
08. Act I - Vieni, amor mio!
09. Act I - Ieri son salita tutta sola
10. Act I - Tutti zitti!
11. Act I - Madama Butterfly!
12. Act I - Cio-Cio-San!
13. Act I - Bimba, bimba, non piangere
14. Act I - Bimba dagli occhi
15. Act I - Vogliatemi bene (Love Duet)
16. Act II - E Izaghi ed Izanami
17. Act II - Un bel di
18. Act II - C'e - Entrate
19. Act II - Yamadori, ancor le pene
20. Act II - Ora a noi
21. Act II - Due cose potrei far
22. Act II - Ah! M'ha scordata?
23. Act II - Io scendo al piano
24. Act II - Il cannone del porto!
25. Act II - Tutti i fior? (Flower Duet)
26. Act II - Or vienmi ad adornar
27. Act II - Humming Chorus
28. Act III - Oh eh! Oh eh!
29. Act III - Gia il sole!
30. Act III - Io so che alle sue pene
31. Act III - Addio, fiorito asil
32. Act III - Suzuki, Suzuki!
33. Act III - Come una mosca
34. Act III - Con onor muore... (Death of Butterfly)

Performers:

Erich Leinsdorf
RCA Italiana Opera Orchestra
Rosalind Elias (mezzo-soprano)
Richard Tucker (tenor)
Piero de Palma (tenor)
Philip Maero (baritone)
RCA Italiana Opera Chorus
Leontyne Price (soprano)
Leo Pudis (bass vocal)
Gianna Lollini (soprano)
Silvia Bertona (soprano)
Fernanda Cadoni (mezzo-soprano)
Arturo La Porta (baritone)
Virgilio Carbonari (bass vocal)
Robert Kerns (baritone)
Anna di Stasio (mezzo-soprano)

Erich Leinsdorf was one of the most respected (if not always well-liked) European-born conductors and music directors to achieve prominence in America after World War II. He was an acclaimed operatic conductor, whose recordings of Turandot and Madama Butterfly from the late '50s remain among the most popular in the catalog; his reputation as a conductor of orchestral music hasn't survived quite as well.

He was born Erich Landauer in Vienna, Austria, and by the age of 5 was enrolled in a local music school. He studied music at the University of Vienna and the Vienna Conservatory, making his conducting debut at the Musikvereinsaal upon graduation. Leinsdorf became the assistant conductor of the Workers' Chorus in Vienna in 1933, and a year later successfully auditioned before Bruno Walter and Arturo Toscanini at the Salzburg Festival, where he was appointed Toscanini's assistant.

Leinsdorf's American debut took place at the Metropolitan Opera when he conducted Wagner's Die Walkure on January 21, 1938. His success with Wagnerian operas led to his appointment at the Met in 1939 as head of the company's German repertoire. While at the Met he began to develop a reputation as a strict taskmaster, requiring increased rehearsal time from his singers and extremely precise fidelity to the written score from musicians; although audiences generally appreciated the results, many of the performers he worked with resented his demands.

He took American citizenship in 1942. The following year he was appointed music director of the Cleveland Orchestra, but was soon inducted into the United States Army. Discharged in 1944, he returned to the Met. During 1945 and 1946, he also conducted the Cleveland Orchestra on several occasions, and returned to Europe where, as one of a group of major Austrian-born conductors who had no connections with the Nazis, he was engaged to conduct the Vienna Philharmonic. He found his reception in his home city, destitute in the immediate wake of World War II, to be less than entirely cordial.

By 1947, Leinsdorf was back in the United States as music director of the Rochester Philharmonic Orchestra in upstate New York, a post he held until 1955. Leinsdorf served as music director of the New York City Opera for part of 1956, before returning to the Met as a conductor and musical consultant. In 1962, Leinsdorf acceded to one of the most prestigious musical posts in America, succeeding Charles Munch as music director of the Boston Symphony Orchestra. Leinsdorf's tenure at Boston was extremely productive, but stormy. He found the political considerations of a music directorship -- juggling the demands of individual musicians, their unions and existing work and rehearsal rules, and the board of directors -- to be a distraction from his musical goals. Leinsdorf also became known for open criticism his musicians' educational shortcomings, and of errors made by his fellow conductors and by editors of musical scores.

He resigned the Boston post with the 1968-1969 season, happy, in his own words, to have exited with his health intact. Leinsdorf conducted opera and concert performances throughout the United States and Europe for the next two decades. In 1978, he took up his first permanent post in Europe, becoming principal conductor of the Berlin Radio Symphony Orchestra, a post he held until 1980. In 1976, he published Cadenza: A Musical Career, a memoir as notable for its candid, brutally honest assessments of himself and his fellow musicians as for its biographical contents. -- Bruce Eder



Download Erich Leinsdorf - Giacomo Puccini: Madama Butterfly (2016) [Hi-Res]


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