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Yevgeny Sudbin - Scarlatti: Keyboard Sonatas (2005) [Hi-Res]

Classic, HD Tracks & Vinyl | Author: SELMER | 18-07-2018, 10:47
Yevgeny Sudbin - Scarlatti: Keyboard Sonatas (2005) [Hi-Res]
Artist: Yevgeny Sudbin
Title Of Album: Keyboard Sonatas
Year Of Release: 2005
Label: BIS
Country: RU / UK
Genre: Classical
Quality: FLAC (*tracks, booklet)
Bitrate: Lossless [44.1kHz/24bit]
Time: 01:15:45
Full Size: 580 MB







Tracklist:

Domenico Scarlatti (1685-1757)

01 Sonata in B flat major, K 545
02 Sonata in F minor, K 466
03 Sonata in F minor, K 365
04 Sonata in D major, K 435
05 Sonata in B minor, K 87
06 Sonata in C major, K 487
07 Sonata in F sharp minor, K 448
08 Sonata in D major, K 492
09 Sonata in G minor, K 30
10 Sonata in G major, K 455
11 Sonata in G minor, K
12 Sonata in E major, K 20
13 Sonata in A major, K 429
14 Sonata in G minor, K 426
15 Sonata in G major, K 427
16 Sonata in B minor, K 197
17 Sonata in B minor, K 27
18 Sonata in A major, K 24

This generously packed CD is sheer delight from start to finish. Even with recorded selections available from the likes of Horowitz, Pletnev, Schiff and Pogorelich, the 25-year-old Russian pianist Yevgeny Sudbin makes his solo debut on disc with performances of a superlative vitality and super-fine sensitivity.

His choice of sonatas is richly enterprising, pinpointing their infinite variety, their abrupt changes of mood and direction, so that whether familiar or unfamiliar (and there are many unfamiliar numbers), each offering is a delectable surprise. Free from the nervous tension that can sometimes plague him in the concert hall, Sudbin relishes the way Scarlatti turns convention topsy-turvy, presenting him in both performance and his affectionate accompanying essay as one of music's most ardent and life-affirming adventurers. He's brilliant and incisive in Kk545, and makes every bar of the reflective Kk57 glisten with poetry. What thrumming guitars he evokes in Kk435 and 487, reminding us that Scarlatti forsook his native Italy and later Portugal for a heady addiction to all things Spanish. There are spicy and witty imitations of changing registrations and some notably rumbustious closes to make every facet of these diamond-like sonatas spark and scintillate as if new-minted. This is, arguably, among the finest, certainly most enjoyable of all Scarlatti recitals. As a crowning touch Sudbin is heard in a beautifully warm and natural acoustic. -- The Gramophone Classical Music Guide



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